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Discuss what's fucking going on, and which programs are best and worst. One-time "program" announcements from "established" webmasters are allowed. |
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#1 | |
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Kevin Smith On Why You Don't Have To Be Kevin Smith To Try Innovative New Things
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#2 |
myadultdesign.com
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I love Kevin Smith
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Banners, logos, headers, peels, FHGs, ads, paysites, photo retouching etc: my adult design portfolio
My logo portfolio: PornLogos.com ![]() |
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#3 |
Purveyor, Fine Asian Porn
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I love Kevin Smith too! ![]() Gideon Gallbladder is still a twat though!!! ![]() ![]() ADG |
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#4 |
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jesus just kill yourself already.
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#5 |
lurker
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He has a point but doors are more open for him at this point.then the guy off the street. I think kevin doesnt have a spielberg type of command but i think the people that can make something would be open to meeting with him. Getting access is one of the hardest parts.
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#6 | |
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it called kickstarter.com crowd funding is an aggregation of fans period. You don't need studio funding any more If your a musician offered a deal post a 30 day kickstarter project and see if you match I guarantee you will, why because the same formula that music industry uses to determine the signing bonus (reach you currently have) can be turned into cash for an upfront offer. The same is true for movies, video games, board games etc. The market place is there. BTW kevin smith has opened up the distribution model he created for red state to independent film producers and he is just one fucking tweet away. |
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#7 | |
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So you are dead on. Making a movie is one thing, but getting noticed is another. |
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#8 | |
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it really easy to get notice it just a longer game you give away short stuff until people like your stuff enough to pay for it. the methodology is simple give away sample of ALL your ideas just make sure that it can expand into bigger if someone likes it and is willing to pay for it. Wil wheaton did it he did the one review for free, release it under CC-SA and the fans spread it because they were allowed until someone with the power decide it was worth while PAYING him to do those type of reviews for ALL the TNG episodes. If what your doing is good quality, that people want to share because it good quality It a simple three step process 1. produce the shit 2. release it under CC-SA 3. share it with your circle of friends. There are tons of things you can do to improve expand that base (ppc, youtube optimization, seo, torrent optimization, etc) but if your shit is good , you don't need more than those 3 things. If your shit sucks, there is no marketing crutch to prop you up. But that marketing crutch doesn't really exist any more anyway the warnings of john carter hit twitter 15 minutes after the movie pre-screened. |
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#9 |
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wil wheaton and kevin smith were made famous and household names by the old hollywood media system that you think should be destroyed by piracy.
their podcasts and such piggybacked off that success. your theories and examples suck as usual. |
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#10 | |
CLICK HERE
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#11 | |
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ironically it usually still takes old and big media promotion like a story in the NYT or the rolling stone to break a DIY artist now. |
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#12 | |
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Mike Tompkins were all made by the mainstream media too. oh and btw wil wheaton started his process when his career was at an all time LOW under 700 people showed up to his blog when he announced he was writing it. No convention would hire him as a guest speaker. His career was deader then a door nail at the time he started blogging. read just a geek before opening your fucking mouth about shit you don't know. |
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#13 | |
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i am totally aware of all the examples you use and their histories also how you deform them to fit your delusions so fuck off clown. |
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#14 | |
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here are some more examples of unknown artist succeed http://money.futureofmusic.org/case-study-a/ and you can look at kickstarter to see tons of artist making huge advances without a record company many of them just youtube stars. Copyright protection only helps you if you have tons of money to hire lawyers to sue people. without that base of cash all the copyright protection in the world is useless so giving it up to get access to an army of fans who will "pay you" by promoting you is worth it. If your shit is good, they will pay you after they consume your stuff simply to support you. |
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#15 | |
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Yes, you can market your stuff, but getting to the point where you are very successful is not easy. It never has been. In the realm of movies 15-20 years ago one of the biggest obstacles was actually getting your film made because it was expensive and it took a decent amount of technical knowledge. If you actually got your move made there wasn't a whole lot of competition when it came to film festivals, distributor markets etc. That barrier is gone now. Now anyone with a few hundred dollars and a weekend to learn the software can make a movie. However, because of that the number of movies getting made that are competing for the audience has gone through the roof and distinguishing yourself among that crowd it not easy. It has just flipped. It used to be hard to make the movie and easier to get notice. Now it is easier to make the movie and harder to get noticed (at least get noticed to the point where you actually make some money and have success). |
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#16 | |
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Explain why wil wheaton only had 700 people show up to his blog when he started. you claimed in the other thread that kevin smith only earned 20k because he was famous director. Yet you still haven't explained why he didn't get that speaking fee in the begining. If his directorial success was responsible for all of that fee, why didn't he get that when he started. Why did he do all those gigs for free. |
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#17 | |
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you have a habit of "paraphrasing" people to say the exact opposite of what they are saying (hell you have done it with me 113 times already) hell you were the guy who used Kevin smith success with red state to support SOPA EVEN though you KNEW that Kevin smith was explicitly opposed to it. |
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#18 | |
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#19 |
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seriously what lie did i tell
does kevin smith earn 20k for his speaking engagement yes did he earn 20k for his speaking engagements when he started no he even jokes about it on evening with kevin smith. "if you want me to come out you have to at least pay me gas money" "Here's 20 buck go away fat boy" wil wheaton has more fans from non star trek stuff then he has from star trek in fact many people who are star trek fans hate wil wheaton because he ruined the show for them. |
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#20 |
So Fucking Banned
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#21 | |
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a complaint that kevin smith made as well. |
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#22 | |
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of course like all commonly shared definitions gideon makes up his own that is only accepted and used by himself.
he defines success as a band who made a couple grand from sharing their music on filelockers. not too many people share that definition of "success." that is why it is pointless arguing with him. you need to at least share the same language to debate and discuss. Quote:
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#23 | |
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Let me simplify this for your pea brain: ![]() ![]() ADG |
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#24 | |
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As for what Kevin Smith says. Here is the link to the podcast from the show. You can jump forward to about the 4:00 mark which is where he starts talking about what I mentioned above. Here is what he says: " I think it is easy to make a movie. The technology is democratized. They make cameras that anyone can use." Another guy holds up his iPhone and says, "You can make a movie on this." Kevin then says, "and you can edit a movie on that and upload it right to the internet. To make Clerks we had to rent equipment to make it, lights, a steambeck to edit it. All of that you can do right on that phone. So the technology is in closer reach for everyone to do it. The problem is with so many people doing it it it is tough to stand out because now the field is even wider with all the competition because it is open to everybody." He goes on to talk more about Clerks, and how people are inspired by it. He also talks about how he actually encourages people to do podcasting instead of making movies because it is cheaper and easier to do. |
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#25 | |
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If success to you is making enough money to live on while doing music you might be able to do that on your own. Not many people pull that off, but there are some that do. If success to you is selling out 10,000 seat arenas and having platinum records you are going to need some serious help that will almost always need to come in the form of a major record label. Of course I am talking strictly about a new, unknown person, starting out. If you were previously famous you can strike out on your own and still have a lot of success. |
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#26 | |
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no where in that quote does he say "getting into festivals and getting notices was much easier than actually making the movie" or " It used to be hard to make the movie and easier to get notice. Now it is easier to make the movie and harder to get noticed (at least get noticed to the point where you actually make some money and have success)." Both those statements were a bald face lie. because he didn't say that in fact the shit you glossed over was making the point i was making about sharing and releasing if you actually listened to the pod cast rather that short clip you quoted from http://smodcast.com/channels/the-secret-stash/ you would realize how much shit your talking hell that tv show is an example of the wil wheaton sharing strategy because it came out of this pod cast series a pod cast series that ming chen and the guys uses to talk about crazy comic book stories on their podcast networks. http://smodcast.com/channels/i-sell-comics/page/4/ the story about how comic book men got on the air, and why "losers" like ming chen became tv star is not only very funny but informative. |
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#27 | |
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and $77,888 off kickstarter campaigns from the built up fan base http://www.kickstarter.com/projects/...ing-without-me When your clearing 80k in a month then you can talk. |
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#28 |
I help you SUCCEED
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Who's the Filipina chick with Kevin?
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#29 | |
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she is doing a 80k kickstarter every month? like i said. delusional.
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#30 | |
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I also mentioned that he does go on to say that podcasting is easier to get started and it doesn't surprise me that he has used the fanbase he has generated from the podcast to help him with other things. |
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#31 | |
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#32 | |
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She says herself in the description that she is budgeting $15K for the cost of creating the album and that any money beyond that will go to hiring a publicist and/or licensing company and going towards promoting the album. So basically she is buying $77,888 dollars worth of lottery tickets and hoping that this release can build her up enough of a fan base that she can go forward and make money at a later time. It isn't a bad idea and it is a hell of a lot better than spending $77,888 of her own money or borrowing that money or signing over her soul to a record label, but let's not pretend that she is putting that money in her pocket as a profit. |
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#33 | |
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I asked you to show me A month that you did that that just one fucking month out of your entire career. still waiting. |
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#34 |
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What the fuck does this have to do with reality? Big fat guy can't even see his own dick...
I don't have to be Kevin Smith to do something innovative. I just don't fucking feel like doing it. Maybe if some failing American company would blindly hand over an eight fugure budget I, too, could preach to people on how cool it is to not be able to pull on my own socks. It must be hard to be a liberal when corporations have paid for every fucking thing you've done. Imagine - for one minute - being married to that fat piece of shit. |
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#35 |
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#36 | |
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seriously you are a moron Do you really believe that a person who raised 77k doesn't know how to promote themselves on the internet fuck moron buying cheap ppc traffic to file locker of her song would be promoting herself AND getting paid If she used the process with the try it if you like it pay me what you think it worth she would be trading pennies for dollars all day long. you think it a lottery ticket because you too stupid to succeed to that level yourself |
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#37 |
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and yet you still haven't shown us your 80k month yet.
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#38 |
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#39 | |
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I wish her well and hope she does it, but in reality making it in any entertainment field be it music, movies, art, writing or whatever is very difficult. This money will help her, but the odds of making it big and making hundreds of thousands if not millions from your work are so high you might as well buy a lottery ticket. She just has a few more tickets than some other people. |
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#40 |
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#41 | |
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It really not that hard calculate your money per view on youtube/filelockers buy views that are cheaper than that level worst case senerio you break even (earn as much as you spend) best case a tiny portion will like the content you given them for free and will pay you full price /part price for your shit. Even the worst case your pocketing money Equal to what you got from the kickstarter campaign best case your pocketing a shit load more. |
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#42 |
I help you SUCCEED
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#43 | |
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Assuming she has the worst case scenario as you present it (which likely is not as easy as you portray it) and she makes $77K off this record. After she pays her taxes she will have around $50K left. That is a nice chunk of cash. She lives in New York (according to her Kickstarter profile) so that $50K likely won't last her long. Even if she stretches it out over a year it is still just one year and now she has to worry about doing it again. Assume she gets lucky and she makes 5 times that much. Great so she makes $350K. After taxes she will have around $225K. That is assuming she isn't paying an accountant, a lawyer or anything else. That is very good money. That puts her in the top 1% of earners in this country. Be honest. . .what are the odds of that happening? Even if it does happen what are the odds of it happening more than once because that $225K isn't going to last forever. The overwhelming odds are that 5 years from now Julia will be doing something else for a living. That isn't a terrible tragedy. If she has some success (which in a way she already has) she has done more than most people will ever do in the music business. She can look back on the good memories and enjoy them. But the odds of her taking that $77K and turning it into something that can launch a career that can last for a very long time are very VERY low. Like I said, I hope she does it, but I am a realist. I worked for a record label for 3 years. 99% of bands/musicians fail in the long term. it is just how it works. |
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#44 | |
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your artbitrage theory is so simplistic and leaves out so many variables that it shows that there is no way you have tested this irl.
this is kiddy internet marketing shit people come up with the first week the realize they can make money online. Quote:
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#45 | |
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I get paid to tell you How to do it That the fucking point of the model, give the non scarce away for free sell the scarce at a huge premium. |
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#46 | ||
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of course that assuming as your doing that she sit on her ass for the remaining 11 months, instead of leveraging the new/existing fan base to make money from touring. ![]() Quote:
and it no where close to the biggest it just happens to be one that fits the model i talked about btw the short career issue is not as much of a problem for these "internet artist" because they don't have to sell so much shit to make the money they do. |
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#47 | |
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#48 | |
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According to your chart she will need to spend about 50% of her time doing live shows. That means traveling and being away from home for long periods of time. How much money would you personally need to make in order to justify being on the road away from your friends and family for 6 months out of the year? Hell, depending on the size of the crowd she might have to be on the road 10 months out of the year to make decent money. It is a life that gets old fast. Most bands I saw break up did so because the grind of going out to play live and promote themselves broke them down. As I said before she seems to be in a position to make some money, but unless she gets lucky and is one of the few who strikes it big she will have to repeat this model over and over again and again year in and year out. How many good albums does she have in her? how long can she keep on the road 6 months out of the year before she finally says fuck it and gets a different job? How long does she grind it out without big success before she throws in the towel and moves on? I'm not making this an argument of record label VS internet artist. I am just pointing out that the odds are very much against her and it seems that you refuse to admit that. |
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#49 | |
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#50 | ||
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maybe you should learn how to read data before your talking out of your ass. That the percentage of income they make not the time they spend. zoe keating has repeatedly talked about how family friendly her touring schedule is. http://en.wikipedia.org/wiki/Zo%C3%AB_Keating Quote:
the signed musician earns less then 7k per year most have to get second jobs in the food industry to survive. Your problem is that you discredit every success on this side of the equation as not being good enough. a signed artist would have to sell $1,760,000 of music to match the success level of this girl. and all the artist who failed to do that will be forced to work for no money on their next 5 albums until they pay it back. |
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