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http://www.sweetwater.com/store/detail/ENTPBCNH |
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This one supposedly kills it, though. http://www.sweetwater.com/store/detail/SEBM With burstbuckers installed, it's even considered a Gibson studio killer, just too bad it looks boring haha. I like the finish and color on yours better. |
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the top on the black cherry epi is aaa maple, that's pretty impressive for a $525 guitar out the door. the = gibson would be aaaa maple but also the cheapest flamed aaaa maple figure-top gibson lp is, what, $2500, minimum? and i don't think you'll get one at that price with the '57 gibson usa humbuckers, which i am super looking forward to playing and hearing for myself what all the raves are about them. i'm glad that dude bumped this thread, i can yap guitars! |
I would pick any of them, all r good:)
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The quality of the PRS SE is much better than on my LP Studio. Not even in the same league. http://mintesfiles.com/gfy/prs_se.jpg |
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:1orglaugh:1orglaugh |
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Minte, can you get ahold of me on skype.. I want to talk to you something business related..
skype: media311 thanks much! |
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Going to a meeting at 1 but I will check emails this evening. |
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I just got back from Long n Mcquade checking out some guitars and as much as I hate to say it, the quality on the SE is just as good if not better than gibson (comparable up tot he $2500 range). It was hard to get sales staff to be honest about PRS. They seem to try and make gibson (like the LPJ) seem better than PRS.
I noodled around with the Se Tremonti custom, I really really like it. Fast neck without being Ibanez thin. The thing is heavy as fuck and resonates a long ass time. The tremelo sucks, tuned it 4 times before realizing its useless due to that. Sales guy kept saying it's cause it's not tuned standard.. to me, it shouldn't matter, lightly wobbling tremelo bar should not take it out of tune. So add $300 for a good bridge that the Tremonti is killer. I'm pretty much stuck in my mind on getting the PRS Se Bernie Marsden but after picking up the Gibson it was based off of, the neck is one huge mutherfucking chunk of wood. Unfortunately, they don't actually have the marsden in stock for me to try and the way dude was talking, its not something they plan to bring in. Decisions decisions.... Feel wise, I totally dig the LPJ, it's fantastic and just the right neck thickness and body thickness for me.. that satin finish just turns me off and the low quality electronics turn me off. |
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Check this one out:
At local shop for 999... damb... I would even get to pick one that had good craftmanship (since sub $2500 gibsons are hit and miss) |
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i would be super very totally tempted if they put the '57s in it, as cool as the bbs are. |
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I think I like the burst for neck position as it keeps it hot enough still to cut through the mix. bridge position.. it's a bit bright IMO unless having only a sold mahogany body (no maple cap) so maybe it'd be worth to throw a 57 in bridge position. |
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now maybe active pickups like those emg,a $300 price tag makes sense, but i'm not up on that segment of the market, it seems that sort of pickup isn't suited for blues/texas rock type tones which is what i'm heavy into. |
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holy crap it's bright! it's perfect when needed (dire straits, srv)and the good news is i can simply adjust the tone control on this rig and really hear the difference to bring it around to play tones at the other end of the spectrum, credence clearwater type tones. |
Those guitars are ok... how much for 2 of the ladies?
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EMG is a hit or miss, too. Some guitars and amp setups, they are great.. some.. just too hot of an output and brittle sounding. Really depends.. If you are into blues and texas rock type stuff, the current pickups in that guitar will do you just fine and dandy but if you need more hotness on your output, a simple boost pedal will be sufficient. hint: Check out EHX Analogizer. Has up to 26db of boost and smoothens out the trailing sound for a nice and beautifully warm melodic clean/mild breakup sound |
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well, hrmm, zzounds is now showing a blemished black cherry tribute lp marked down to 449 shipped. from what i've gathered, those blemished models aren't so blemished.
that's a heck of a value. even with a little blemish. |
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If its factory blemish... well.. It would have to be quite minor for it to leave the factory.. very very minor. Myself.. Im all over the fucking place now.. I dont know what I want anymore.. so many options.. so many good and bad reviews for everything and the one with 5 star reviews across the whole board is the only one I cant put my hand on to try and see if I like it. getting into gibsons, the pickup and neck differences between different model types is overly too complicated and also, there's a bad rep of poor craftmanship. It's 50/50. Either A+ or d- in this price range. For the PRS, the construction is flawless and the pickups are all the same ones and has a shitty bridge pickup anyways, so no decision worry there.. cause it will need upgrading before any of them even go out the door anyways. So I can tailor to any pickup sound I want. Burst neck, 57 bridge. Maybe what I will do is go to town Sat and see if they can order it in for me anyways and if I can bring it back towards a different model after holidays if I dont like it. |
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Here's a pretty good shot of the PRS. http://mintesfiles.com/gfy/prs_se_santana.JPG |
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aren't the reviews hilarious? there's usually a ton that start with "i've never owned that guitar but i'm pretty sure it's not as good as any of mine...." or "it's mik/mim/mij/mii/not made in milwaukee,memphis/kalamazoo/etc. so it has to be bad. then most all the others have a paragraph+ with the reviewer's resume of years playing and guitars owned/played at the shop. it always cracks me up, but i guess the good news is the return policy with the majors is super solid and shipping back is nominal really, plus being able to give a new guitar a whirl at home is so much more better than fighting to be able to hear yourself at the guitar center. lol. re: gibsons, tbh, the only ones i really really want are ones that are stunningly beautiful- a figured-top es-335 and a aaaaa quilted top lemon les paul. both crazy expensive. http://www.hotmusicollection.com/wp-...s-Finish-8.jpg http://www.jetenginesound.com/LPElegant97Q1.jpg excluding vintage. of course. :pimp |
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is that the stock bridge/tailpiece? that other se's i saw had a wrap-around. |
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Picked this one up a few weeks ago locally. A 72 reissue. This really brings back memories because I owned a 72 exactly like this for a few years when they were original. It's one of those I wish I had never gotten rid off.
http://mintesfiles.com/misc/tele_72_reissue.JPG |
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aren't those wide range humbuckers killer? had one ony my ps 72 neck w/ an enforcer bridge, both really cool, i've learned the wide range has a rich history too. |
You are making me want to be a right handed guitarist. Im a lefty and my choices are so limited.
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Last one :thumbsup
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man that yellow one is ugly... heh |
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shitcakes
http://www.long-mcquade.com/BlackFriday2013 LPJ on sale... at that price.. I may just go grab this tomorrow! |
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http://www.airportmusic.com/images/j...ChSun_Head.jpg i can continue... :1orglaugh |
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imo, there is not much design room left for guitars. the be all end all of shapes is the stratocaster, can't get much more classic beauty than that. head stocks are the same, gibson open book and fender's curved 6 inline pretty much covered it. the prs is just a abstract variation on gibbie's open book headstock. seems like most designs these days are tweaked variations on the classics. |
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Although, Dean did make one sexy looking guitar here
DBZ Bolero http://www.carlinoguitars.com/images/Marisa0806_884.jpg Not fan of this headstock, though. http://www.dbzguitars.com/2010-graph...-headstock.jpg |
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are those dean guitars nice or? |
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Got busy with the camera today. Got most of the electrics. Tomorrow, acoustics and classicals. This is the Gibson Family
http://mintesfiles.com/misc/guitar_020.JPG |
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