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Welcome to the GoFuckYourself.com - Adult Webmaster Forum forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features. By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today! If you have any problems with the registration process or your account login, please contact us. |
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| Discuss what's fucking going on, and which programs are best and worst. One-time "program" announcements from "established" webmasters are allowed. |
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#1 |
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Confirmed User
Industry Role:
Join Date: Nov 2003
Location: Toronto
Posts: 4,001
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Photography question
I am looking to purchase the nescessary equipment to take professional white background small product photos. I am using a Canon 20d, hopefully that does the trick. What else would I need?
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#2 |
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Confirmed User
Join Date: Jun 2001
Location: Oregon
Posts: 639
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what producst are you shooting.. this is important...
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#3 |
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Confirmed User
Industry Role:
Join Date: Nov 2003
Location: Toronto
Posts: 4,001
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#4 |
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Confirmed User
Join Date: Jun 2001
Location: Oregon
Posts: 639
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I"m on icq... 35805493
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#5 |
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redezra.com
Industry Role:
Join Date: May 2004
Location: Vegas Baby!
Posts: 4,680
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go to ebay and look-up soft box photo tent - they are cheap and easy way to do small product lighting
or buy some white paper - |
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#6 |
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**LOOKING FOR TRADES**
Join Date: Oct 2003
Location: Southern California
Posts: 15,605
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get a light box:
sample 1 ....or you can go all out and get this one.. depends how much you want to invest... i've used this one and it's awesome! sample 2 (i've seen cheaper versions of this one, but can't find the link)
__________________
EMAIL: allen @ vasmediagroup.com | ICQ: 311329761 | SKYPE: abyss.al | AIM: xABYSSxALx |
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#7 |
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Registered User
Join Date: May 2006
Location: In The Crack
Posts: 88
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Get a Macro lens and watch out for any reflections on the metal. Good luck
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#8 |
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Registered User
Join Date: May 2006
Location: In The Crack
Posts: 88
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#9 |
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Spam me with dialer programs
Join Date: Jun 2006
Posts: 184
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go to ebay and look-up soft box photo tent - they are cheap and easy way to do small product lighting
or buy some white paper Lol thats funny
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M T P |
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#10 |
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Confirmed User
Join Date: Oct 2002
Location: Canada
Posts: 4,765
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A small light box .. with a couple of 250 strobes .. you can also go with 500W Lights .. The light Box shouldn't run you more then 100$ with at least 3 different backdrops (white, blue and black) ...
good luck
__________________
3D-VR live webcams Facebook profile ![]() "I take pics for the "Casual Encounters" section of Craigslist." |
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#11 |
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Confirmed User
Join Date: Oct 2002
Location: Canada
Posts: 4,765
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A cheap ass Build which I've done on occation ..
Get yourself some showCard (thick white cardboard, two sided, B & W Your local photo shop will sell yah some 500 W bulbs for 4.50$ add stands, chrome scoop and socket for 69$ each total. You'll also need some diffusion paper like Tough Spunn (better then difussion as not to create a hotspot on the metal your shooting) .. And click away ...
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3D-VR live webcams Facebook profile ![]() "I take pics for the "Casual Encounters" section of Craigslist." |
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#12 |
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Megan Fox's fluffer
Industry Role:
Join Date: Oct 2005
Location: shooting pool in Elysium
Posts: 24,818
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Tripod (and shutter cable release is also a good idea to further avoid camera shake).
When working with a dslr - a tripod separates an 'okay photo' from the 'really good photos'. No matter how steady you think you may be with handheld - a tripod adds that extra bit of stability that greatly improves most photos. I shoot 95% of our images on tripod, even though its often cumbersome and a pain to work with. But its worth putting up with. |
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#13 | |
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Confirmed User
Join Date: Oct 2002
Location: Canada
Posts: 4,765
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Quote:
good Point SK ... never do product shot handheld .. And Please do not use th auto focus .. take you time take several pictures .. and a good rule of thumb is to Bracket your shots (camera will take three pics, One under, one over, one at your setting)
__________________
3D-VR live webcams Facebook profile ![]() "I take pics for the "Casual Encounters" section of Craigslist." |
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#14 |
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Confirmed User
Join Date: Nov 2005
Location: Russia
Posts: 8,602
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Buy this one
![]() The new Macro Twin Lite gives serious close-up, nature, and macro enthusiasts a different option in macro lighting?a directional quality of light, as opposed to the rather ?flat? character of the traditional ring lite. Two separate flash heads can be swiveled around the lens, can be aimed separately, and even removed from their holder and mounted off-camera. Like the MR-14EX, the new Macro Twin Lite MT-24EX is fully E-TTL compatible with all EOS bodies, including digital SLRs, and even allows Wireless E-TTL flash control with one or more 550EX and/or 420EX ?slave units?. It also provides easy ratio control of each flash head?s output, over a six-stop range. Canon Twin lite
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e-mail star69 |
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#15 |
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Confirmed User
Industry Role:
Join Date: Jun 2003
Location: Vegas
Posts: 3,243
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a ring light can be nice.. however it really depends on what you are shooting.. glass and chrome things generially are shot better with tents..and plastic often looks better with a ring light.. it just depends on how nice you want it to look, how much you have to shoot, and what it mostly is.
feel free to hit me up.. and I can help you more if you want. |
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#16 |
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Confirmed User
Industry Role:
Join Date: Jul 2003
Location: In your mother's fears
Posts: 122
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Go buy some 2 by 1 wood, some right angle brackets and knock yourself up 2 wooden frames, around 4 by 4 foot. Cover with rosco (thick transparent tracing paper) with a stapler. The base (which you'll place your items on will be white perpex as this reflects the background, making it seemless. One frame behind and the other over the object. Flash gun pointing at each (but not too close). Place object. Reflectors (white card) in front and to each side just outta shot. Camera on tripod. Lens to smallest apature. Shutter on 'B'. Darken the room. Using a cable release open shutter and lock. Wait 5 seconds for everything to steady (no-one move in the room) and start punching out the flashes until you reach the required 'f' stop....each time double the number of flashes for each single increase of 'f' stop. If the objects are silver or shiney with detail, use black shoe polish to help add contrast to detail. Experiment tilting the reflectors, the frame above the object and 'f' stop. Schools out.
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#17 |
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Confirmed User
Industry Role:
Join Date: Nov 2003
Location: Toronto
Posts: 4,001
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thanks everyone, lots of good tips here
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