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digitaldivas 02-28-2013 02:57 PM

Photographers, What Lighting do You Use?
 
I have been shooting with a tungsten setup since I started, but have heard wonderful things about LED, especially since LED lighting supposedly offers the best natural sunlight alternative... I am primarily an indoor photographer.

Are LED's better than say "Flash" lightning, etc. I have heard that flash lighting can be a bit off, since most flash systems are 1/250 a secnd, but most camera's operate in the 1/1000 second range. I know it's all about the ISO, etc with this, but is LED the way to go?

NaughtyRob 02-28-2013 03:02 PM

I like umbrellas with strobes. Natural lighting is best if you can get it.

SGS 02-28-2013 03:07 PM

Bowens flash and soft boxes since about 1985.

DeanCapture 02-28-2013 03:11 PM

Why restrict yourself to only one type of lighting? We use flash, tungsten and LED lighting....sometimes all together at the same time. Don't cripple yourself by thinking only one type of light is best. Experiment and use whatever gives you the best results :thumbsup

Red Ezra 02-28-2013 03:38 PM

bright ones!

SmutHammer 02-28-2013 03:55 PM

Are you shooting pictures or video? It makes all the difference in lighting.

For pictures I use Alien Bee's B1600

For video I mainly use Flo Lighting (daylight balance) for best results.

I bought some brighter lowell tota lights, But they really suck being 3200K you can't get good quality with a DSLR. I bought a kit they make to convert it to 5500K which is daylight, but there is a ton of spill. I'm looking into a filter for the camera lense to see if that will fix things, or maybe I'll make a custom softbox to convert the light...

As far as the LED lights, I haven't used them yet, but emailed flo light and asked about them yesterday. They claim they are as good or better than their older daylight balanced lights.

I would suggest these over keno flow http://www.flolight.com/

Some Guy 02-28-2013 04:11 PM

I've been shooting with Alien Bees strobes and umbrellas for years with amazing success. I wouldn't go any other route, honestly. They're fairly inexpensive and yield amazing results. Oh, and go with a wireless trigger. Cords suck.

DWB 02-28-2013 04:22 PM

For photos... Alien Bees.

2013 02-28-2013 04:22 PM

black lights

DeanCapture 02-28-2013 04:38 PM

Quote:

Originally Posted by Ed Hammer (Post 19505701)

I bought some brighter lowell tota lights, But they really suck being 3200K you can't get good quality with a DSLR. I'm looking into a filter for the camera lense to see if that will fix things, or maybe I'll make a custom softbox to convert the light...

If you're shooting indoors with tungsten, just set your white balance on the camera to "tungsten" and it should balance out just fine. A little tweaking in post and you'll be good to go :thumbsup

SmutHammer 02-28-2013 04:39 PM

Quote:

Originally Posted by DeanCapture (Post 19505739)
If you're shooting indoors with tungsten, just set your white balance on the camera to "tungsten" and it should balance out just fine. A little tweaking in post and you'll be good to go :thumbsup

I have set it in the camera, I've also white balanced manually. Neither work well.

SmutHammer 02-28-2013 05:03 PM

I used to wonder why so many people had those nasty yellow looking skin tones, But after using the lowell lights, I'm sure for many of them it's just the type of lighting they are using. White balancing does not fix the problem. I'm looking into different ways to be able to use the lowell tota lights and get a good quality out of them. If I figure out something that works well, I'll post here and let everyone know.

Alice22 02-28-2013 05:11 PM

For photos i use Elinchrom lighting with soft boxes. (sometimes ts also umbrella, beauty dish, ban doors).

For video i use some light from China that it's like kinoflo, but cheaper , lol.
The problem is that it's super heavy, and i need to call my husband every time, to move this light.
So, i prefer to use natural light when it's possible.

fitzmulti 02-28-2013 05:44 PM

For photos - Studio lighting with umbrellas and a soft box mix. Very smooth lighting and hardly any sharp shadows if you do it right.

The LED's are not so great in my opinion, depending upon the "panels", they can cause weird "dotty" shadows, and I hate that...but that's just my opinion.

For videos - Constant bulb lighting, thru soft boxes...nice and smooth.

Grapesoda 02-28-2013 06:06 PM

Quote:

Originally Posted by digitaldivas (Post 19505630)
I have been shooting with a tungsten setup since I started, but have heard wonderful things about LED, especially since LED lighting supposedly offers the best natural sunlight alternative... I am primarily an indoor photographer.

Are LED's better than say "Flash" lightning, etc. I have heard that flash lighting can be a bit off, since most flash systems are 1/250 a secnd, but most camera's operate in the 1/1000 second range. I know it's all about the ISO, etc with this, but is LED the way to go?

stills I use strobes, profoto's 500's w/ umbrellas. with pocket wizards and radio chip in the meter. I shoot at 160th @ F16. 320 iso and the meter at 500 iso. LED be good for video not stills though, I use fluorescents and HMI for video. :2 cents:

JustDaveXxx 02-28-2013 10:18 PM

Quote:

Originally Posted by DeanCapture (Post 19505648)
Why restrict yourself to only one type of lighting? We use flash, tungsten and LED lighting....sometimes all together at the same time. Don't cripple yourself by thinking only one type of light is best. Experiment and use whatever gives you the best results :thumbsup

agreed:thumbsup


For Pics: Pro Photo Strobes for stills or sometimes I will hard light with Ari HMI's and Kinos.


For Video: HMI's, and Day light, depending on the location.



I got turned on to Ari HMI's and 3 years back and really like what I got in my video and stills.


JustDaveXxx

waltgator 03-01-2013 12:09 PM

anyone use the profotos? pricey but great lighting rigs for stills

spiederman 03-01-2013 12:27 PM

grease lightning offcourse

NemesisEnforcer 03-01-2013 01:51 PM

Quote:

Originally Posted by waltgator (Post 19507027)
anyone use the profotos? pricey but great lighting rigs for stills

I'm using Profoto D1 Air for stills and LEDs (Litepanels) for video.

waltgator 03-01-2013 01:57 PM

Quote:

Originally Posted by NemesisEnforcer (Post 19507180)
I'm using Profoto D1 Air for stills and LEDs (Litepanels) for video.

yeah! those are slick with the built in transmitter/receiver! :thumbsup:thumbsup

SmutHammer 03-01-2013 06:35 PM

Good news for those of you using the lowel tota lights or any other tungsten set up.

I just bought a cc lense filter and it actually does a pretty decent job at fixing the color. It's still not as good as using 5500K lights but after a few in camera adjustments on saturation, contrast and sharpness It does good enough :thumbsup

http://www.amazon.com/dp/B00004ZCIU/...M3T1_ST1_dp_i1

digitaldivas 03-02-2013 02:13 AM

Quote:

Originally Posted by DeanCapture (Post 19505648)
Why restrict yourself to only one type of lighting? We use flash, tungsten and LED lighting....sometimes all together at the same time. Don't cripple yourself by thinking only one type of light is best. Experiment and use whatever gives you the best results :thumbsup

thank you!

digitaldivas 03-02-2013 02:16 AM

Quote:

Originally Posted by Ed Hammer (Post 19505701)
Are you shooting pictures or video? It makes all the difference in lighting.

For pictures I use Alien Bee's B1600

For video I mainly use Flo Lighting (daylight balance) for best results.

I bought some brighter lowell tota lights, But they really suck being 3200K you can't get good quality with a DSLR. I bought a kit they make to convert it to 5500K which is daylight, but there is a ton of spill. I'm looking into a filter for the camera lense to see if that will fix things, or maybe I'll make a custom softbox to convert the light...

As far as the LED lights, I haven't used them yet, but emailed flo light and asked about them yesterday. They claim they are as good or better than their older daylight balanced lights.

I would suggest these over keno flow http://www.flolight.com/

Hey Ed, I'm doing both on a Canon t4i. Stills and Video

digitaldivas 03-02-2013 02:29 AM

thanks for the insight, guy's, so far. I appreciate it.

Grapesoda 03-02-2013 11:32 AM

Quote:

Originally Posted by digitaldivas (Post 19508024)
thanks for the insight, guy's, so far. I appreciate it.

email me pls: 123 at 456 dot bz

digitaldivas 03-02-2013 12:37 PM

Quote:

Originally Posted by Grapesoda (Post 19508400)
email me pls: 123 at 456 dot bz

mail sent

Grapesoda 03-02-2013 12:40 PM

Quote:

Originally Posted by digitaldivas (Post 19508477)
mail sent

nothing... ?

digitaldivas 03-02-2013 12:50 PM

hmm, my icq is 621200102 or [email protected]

Grapesoda 03-02-2013 01:33 PM

Quote:

Originally Posted by digitaldivas (Post 19508488)
hmm, my icq is 621200102 or [email protected]

got the email, replied. I don't use ICQ

GARY LEE 03-03-2013 01:11 AM

I use anything that gives me what I need but as a general rule I have Dynalites with softboxes. I have also been known to get as many as 40 speedlites out on location to get the desired effect I want.
For video I have several different kinds of lights at the studio but I find my newest love affair with 1x1 LED lights. I wish I had 100 more because these lights are the bomb and I rely on them more and more all the time.

nickey1952 03-03-2013 10:57 AM

Any light that matches your camera settings, lol seen, too many green and orange photos on the net.. good luck


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