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Damn. OK, I'll leave now. :sadcrying |
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Yes, I am spending time with my camera. In fact I am spending an entire day with my camera on Tuesday. I just thought it would be nice to start a thread where people can share ideas instead of another "would you hit it thread" or some stupid thread about "racism" or "drama" or any other of the stupid threads that pollute this board on a daily basis. Why starting a simple thread about the technical aspects of photography would anger certain people so much is beyond me. If you are a good photographer then perhaps posting positive replies in this thread will help you land a new client. Just a thought. :winkwink: |
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seems like you learned a lot from this. I guess you can RTFM, but the best way to figure out what works for you and what doesn't is to just go try it. In this millenium, digital can help you teach yourself really quickly. Jesus, if I had that back when I was learning.[Broken sentance] Holy shit! You can learn more in an hour than in 10 years. Was it my notes that were wrong, was it my developing, did I not print the same way, was I consistant. Get a grip, you will learn nothing about photography on GFY. spend some more time with your camera. Infer is sometimes confused with imply, but the distinction is a useful one. When we say that a speaker or sentence implies something, we mean that it is conveyed or suggested without being stated outright: When the mayor said that she would not rule out a business tax increase, she implied (not inferred) that some taxes might be raised. Inference, on the other hand, is the activity performed by a reader or interpreter in drawing conclusions that are not explicit in what is said: When the mayor said that she would not rule out a tax increase, we inferred that she had been consulting with some new financial advisers, since her old advisers were in favor of tax reductions. I meant infer. Must you be so fucking petty? If you're wanting to play english cop, bugger off. I'm trying to help someone, I don't need you to be a twit. |
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A few available lighting shots of our factory studio - no flash. Daylight, available tungsten & tea candles. All shot @ 80iso with the oly e10.
http://www.fetishopolis.com/kap-images/kazka06.jpg http://www.fetishopolis.com/kap-images/kazka07.jpg http://www.fetishopolis.com/kap-images/kazka08.jpg http://www.fetishopolis.com/kap-images/kazka09.jpg |
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and I don't need to be a target. I was not trying to do harm. Just giving a sound recommendation. |
50......,.... :arcadefre
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How does Noise Ninja compare to basic Photoshop noise/despeckle?
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I find it interesting that Expo comes here and asks a simple question about photography and some of the people who could help him would rather talk down to him like he's a fucking idiot. Expo just spent a few days working with me in LA to help me hone my videography skills. When it comes to videography the boy knows his shit. But he's new to shooting pictures and that's why he's asking for advice from shooters here. Jesus fucking christ :mad: |
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I don't think anyone is talking down to him. if you are such a great mentor then why would he be asking such questions? Is this thread bait to get a bunch of photographers to argrue about nitty gritty bullshit? |
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tip: if you have a cat or dog, they'd make excellent practice models for trying to figure out the best settings for shooting at various light conditions - they're always moving around, just like human models.
tip 2: it takes a lot less time figuring out the best settings yourself with digi cameras than asking about it on gfy. just shoot, change iso, shoot change iso, etc. etc. ...then compare the shots and make notes. picture is worth a thousand words. tip 3: you can read all you want about the basics and photography tips, but in the end, everybody has their unique shooting style. |
Hey what are the best settings to use with light coming through a window and should I use IS? I think spending some time with his camera was good advice. If he has a specific problem I would be more than willing to help. So what is your answer to his question?
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Is there any downfall to using IS? People keep mentioning if they should use it or not in this thread...
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great thread!
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Why don't you just try it and see how it works for you? |
Yeah I figured somthing out:)
That Ninja shit rocks. Just got it. |
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(intentional missspelllling) |
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If I have something to say to you Mark I'll fucking say it. And unlike you, I'll say it here "and" to your face. You (my little keyboard warrior friend) don't mind calling people names on this board but when confronted with the opportunity to say it to their face, you run like the little pussy that you are. Yea, people really need someone like you to protect them from the big bad Dean Capture :1orglaugh Have fun my friend....protecting everybody from the big bad Dean Capture :1orglaugh |
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I will say it to you're face to man, again stop trying to figure me out or thinking I am one way or another. You wont. Some of the best folks in the biz try and figure out why I do what I do or how I will do somthing or whatever. Dude, just forget about it. It is of no benefit to you, and none of it will concern you. You make mistakes on the net and I am trying to help you. Ya can hate me now but soon you will love me, and I am cool with that. |
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i'm trying to get more & more away from flash...or at least noticeable flash :) the fundamentals of photography would have you use a flash so that you have enough light to shoot with a low iso, small aperature, and fast shutter - giving you an evenly lit, well exposed, tack-sharp photo. problem is, that look (the common porn lighting of "2 strobes in umbrellas, flat light") is pretty boring the model DOES NOT have to be super sharp in-focus from her head to toe...you want to make your pics intimate and recreate a real world fantasy: when the eyeball notices a woman in real life, your focus is only on the part you're looking at (be it her face, her breasts, her ass, etc) and the rest of her body is "blurred" by a falloff into the peripheral vision - shoot to duplicate that :winkwink: anyway back on topic, i faced a lowlight situation over this weekend during my shoot... i tried to make it look "natural" and bring a soft, dreamy feel to the photos...i didnt want to go below f/4 and shoot slower than 1/80, so i had to provide just a TOUCH of fill from a 48" softbox (canon 20d; canon 24-70 2.8 "L"; iso 800; f4; 1/80) http://www.karisweets.com/boards/gfy/hi.jpg :) |
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Just want to get this thread on the track |
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I don't know what kind of mental issues that you have bro' but you need to get that shit looked at. I make frequent trips to your neighborhood on a regular basis and I'll be glad to knock on your door and have a little face-to-face chat with you about whatever your problem is with me and we'll see if we can't figure out how to work this thing out. Sticking your nose where it doesn't belong is not going to resolve any issues that you have with me and in fact...will just make things worse. If you have a problem with me, with something I've said or something I've done, you contact me and discuss it with me. You can reach me via my website. Otherwise, I can guarantee you things will get ugly bro'.....very very ugly :thumbsup Peace out - |
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actually, this was only 1 of 6 shots taken, so that i can examine the photos (for grain, composition, exposure, etc), take notes & be ready to do this set for real during the next shoot save your photo advice buddy, i dont need it, lol :1orglaugh |
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Actually Mark, I've just added you to my ignore list. I should have thought of that sooner.
Bye-bye moron :action-sm |
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As for the IS on a tripod, is there a different mode for it? I thought you couldn't do that? I have the 70-200 F 2.8, but I got it without IS so I really don't know. I have never felt I needed the stabilization on that lense. However I am sure there are a lot of things I could do with IS that I just don't know about yet. |
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