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Old 08-26-2005, 01:49 PM   #1
asl
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Best DJ Ever

At least for me

http://www.lejo.nu/dj.html
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Old 08-26-2005, 01:50 PM   #2
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sorry.. BeatJunkies hands down. world champs 2x
www.beatjunkies.com
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Old 08-26-2005, 01:51 PM   #3
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Old 08-26-2005, 01:59 PM   #4
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I don't think you could really consider him a "true" DJ, but Just Blaze is by far the sickest producer in Hip Hop
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Old 08-26-2005, 02:02 PM   #5
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mixmaster mike or Prime Cuts
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Old 08-26-2005, 02:03 PM   #6
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I don't think you could really consider him a "true" DJ, but Just Blaze is by far the sickest producer in Hip Hop
lol, cus hes on the cover of SCRATCH?
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Old 08-26-2005, 02:05 PM   #7
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Tiesto...
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Old 08-26-2005, 02:06 PM   #8
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lol, cus hes on the cover of SCRATCH?

Hahaha, I hope that's a joke
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Old 08-26-2005, 02:06 PM   #9
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Old 08-26-2005, 02:10 PM   #10
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goddamnit! more competition.
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Old 08-26-2005, 02:11 PM   #11
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qbert
I agree, Qbert is awesome
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Old 08-26-2005, 02:14 PM   #12
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I agree, Qbert is awesome
invisible skratch pickles won ITF 3x ina row.
or for the old schoolers fm20 was there name back then.
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Old 08-26-2005, 02:24 PM   #13
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goddamnit! more competition.
Yup you better watch out!!!
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Old 08-26-2005, 02:29 PM   #14
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My vote goes to A1R3K
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Old 08-26-2005, 02:30 PM   #15
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Hahaha, I hope that's a joke



lol, i hope you dont honestly think hes the best. But hey, to each his own
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Old 08-26-2005, 02:31 PM   #16
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Old 08-26-2005, 02:32 PM   #17
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Old 08-26-2005, 02:46 PM   #18
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lol, i hope you dont honestly think hes the best. But hey, to each his own

I definitely think he is one of the best, because he SAMPLES, which is 1000x harder than making those bullshit keyboard beats, which involves no time stretching or chopping. Even though from a business stand-point it's way better to make keyboard beats because you get the full royalty check.... but as you said, to each his own
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Old 08-26-2005, 02:52 PM   #19
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Old 08-26-2005, 03:07 PM   #20
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I definitely think he is one of the best, because he SAMPLES, which is 1000x harder than making those bullshit keyboard beats, which involves no time stretching or chopping. Even though from a business stand-point it's way better to make keyboard beats because you get the full royalty check.... but as you said, to each his own
i see where your coming from but... sampling is cake if you know how to do it. Its the hardest thing to do for most keyboard producers. And if you get a sample based producer in front of a keyboard, do you really think anything hot is gonna come out of it? i doubt it. The way I see it, its gotta be a mix of both. If a producer could chop up some sick samples and then lay some original keys over it, ooooooboy thats heat!

I personaly started with keyboard production with a little sampling here and there. Now, since I got my MPC, Im focusing heavily on sampling and trying to stay away from the keys so i can really get a feel for sample based production. Then ill go back and mix the two.
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Old 08-26-2005, 03:09 PM   #21
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may not be the best, but close.....Dj Ravi.....met him at a Rave back in the day....out of portland (oregon).....last i knew anyway.....was booked solid back then.....he taught me a few things and was (is) a damn cool person
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Old 08-26-2005, 03:35 PM   #22
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i see where your coming from but... sampling is cake if you know how to do it. Its the hardest thing to do for most keyboard producers. And if you get a sample based producer in front of a keyboard, do you really think anything hot is gonna come out of it? i doubt it. The way I see it, its gotta be a mix of both. If a producer could chop up some sick samples and then lay some original keys over it, ooooooboy thats heat!

I personaly started with keyboard production with a little sampling here and there. Now, since I got my MPC, Im focusing heavily on sampling and trying to stay away from the keys so i can really get a feel for sample based production. Then ill go back and mix the two.

No shit, see, I'm not a producer, but one of my best buddies, is, and I use to hang out in his studio and just listen to him make beats and give him input on what I thought sounded good and what didn't sound good. The craziest thing about that is one day we were fuckin with this "Los Angeles Negros" sample, for one reason or another we decided that it would sound really good if he put a Biggie quote at the intro of the song. And so we sat down picked one out and it sounded pretty dope. We thought nothing of the beat, that was until my buddies friend who was an A & R at Capitol, whom I'm also friends with as well, called him up and told that the Los Angeles Negros beat was going to be on the Jay-Z black album. And the rest is history. A little off topic, but interesting nontheless.....

Anyhow, it just bugs me to see these guys makin those keyboard beats, spending 30 minutes to an hour on it, and making millions. Now I understand, that if you find a really hot sample, you can just loop and hope that nobody is the wiser, but that happens once in a blue moon.....

My homie, is actually trying to do the exact opposite of you and that is get into the keyboard beats, since thats where the real money's at. But the thing is, is he has been making sampled beats, with several layers of keyboard off the motiff forever, and to be honest his keyboard beats aren't sounding too hot.But I'm sure he'll develope like he did with the MPC.....
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Old 08-26-2005, 03:48 PM   #23
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Hahahahhaha... pretty nice...
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Old 08-26-2005, 04:08 PM   #24
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No shit, see, I'm not a producer, but one of my best buddies, is, and I use to hang out in his studio and just listen to him make beats and give him input on what I thought sounded good and what didn't sound good. The craziest thing about that is one day we were fuckin with this "Los Angeles Negros" sample, for one reason or another we decided that it would sound really good if he put a Biggie quote at the intro of the song. And so we sat down picked one out and it sounded pretty dope. We thought nothing of the beat, that was until my buddies friend who was an A & R at Capitol, whom I'm also friends with as well, called him up and told that the Los Angeles Negros beat was going to be on the Jay-Z black album. And the rest is history. A little off topic, but interesting nontheless.....

Anyhow, it just bugs me to see these guys makin those keyboard beats, spending 30 minutes to an hour on it, and making millions. Now I understand, that if you find a really hot sample, you can just loop and hope that nobody is the wiser, but that happens once in a blue moon.....

My homie, is actually trying to do the exact opposite of you and that is get into the keyboard beats, since thats where the real money's at. But the thing is, is he has been making sampled beats, with several layers of keyboard off the motiff forever, and to be honest his keyboard beats aren't sounding too hot.But I'm sure he'll develope like he did with the MPC.....
Is that the last track on the Black album your talking about? If it is, thats some real good shit. The beat is awesome and the track in general is probably my favorite on that album. (but I think the hottest beat on there is dirt off your shoulder)

Ive been using a motif too and for some reason i just dont really feel the sounds in it (most of them). You really have to tweak em out. What I do is, I run the motif straight to the MPC (since the MP has a unique sound generator and makes shit sound kinda grimy) record what i want live over the MPC drums, assign it to a pad, run the MPC thru a dbx compressor into Cubase and track everything there. Gets a good, clean but grimmy sound out of motif
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Old 08-26-2005, 04:38 PM   #25
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invisible skratch pickles won ITF 3x ina row.
or for the old schoolers fm20 was there name back then.
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Old 08-26-2005, 05:31 PM   #26
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I like Oakenfold, especially the ones from late 90s - early 00s. Back then when it was cult and not so commercial

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Old 08-26-2005, 05:47 PM   #27
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i saw him last week, fucking amazing
http://buzzlife.com/menalto/050819?page=1
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Old 08-26-2005, 11:38 PM   #28
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Cute DJ!!! You got me smiling there....Hahahaha
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Old 08-27-2005, 12:02 AM   #29
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