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In the spirit of the OP - lightpainting stills in dark studio settings is still a frontier. If you can capture water effects in combination, flares, sparklers, glow-sticks - fuck, throw some pyro-fireworks into the mix...you're on to something.
Picture this - a gorgeous, nekkid model (doin' the nasty for bonus points) at the base of a frozen waterfall - at night - backlit with spots, lightpainted from the front...with other special lighting f/x (flares, whatnot) added in.
This industry fails big-time at thinking outside the box and going the extra mile to get something really unique and special. It's partly why I've given up even posting and conversing on forums in the last while. You regurgitate the same formulated shit over and over...and then moan the blues as to why the industry is dying.
/endrant
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