Quote:
Originally Posted by JustDaveXxx
LOL, good answer, but a good director is gonna hire a good guy to begin with. When i shoot brand new girls, i use top males. The good guy will position the girl where i can see what i need to see. Furthermore, even if the girl sux, my guys will pound out a good scene.
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Which is why I always used good guys. The sponsors who think any guy can be dragged off the street or will do it for cheap are wrong. I always told them "Why should I work with a guy who can't do it to save you a few dollars and give me a nightmare day?"
I can see how it will work sometimes for BG, how about GG and solo?
As for a good guy getting the best out of a girl. Her best is not always good enough. She might look hot and perform cold. No matter how good the guy is there's something missing. I used to shoot for a market where nothing was sold until it was published. There were also lots of good shooters competing in this market. Editors didn't buy unless it was good.
How does it work today with custom shooters commissioned to shoot a girl who turns up and is not as good as she needs to be?
I used to send them home, no point in wasting more money shooting something that won't sell. Do custom shooters do the same today?