Quote:
Originally Posted by Paul Markham
I put directing at 3. Could of put it at 2, but even great directors fall down with bad performers. He needs the control to be able to send them home.
I still think you need a good idea first, otherwise it's like so much that has gone before.
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LOL, good answer, but a good director is gonna hire a good guy to begin with. When i shoot brand new girls, i use top males. The good guy will position the girl where i can see what i need to see. Furthermore, even if the girl sux, my guys will pound out a good scene.
Hot girl=race car
good male=race car driver
Race car+Race car driver=Winning!!! Or great scene.
Race cars, race car drivers is the perfect porn analogy. Keep in mind how many Indy car guys and stock car guys try Formula1 and end up failing miserably. Thats equivalent to using a budget guy with a smoken hot girl. It just doesn't do the race car justice.
Examples:
Manual Farra=Race car driver
Steve holmes=Race car Driver
Rocco Seifreddi=Race car driver
Anybody who uses good guys knows exactly what im talking about.
The director and his experience is always gonna be number 1# in my book.
