Nikon people lens recommendations
Im shooting for a magazine here in Nashville, and I shot primarily stage photos where lighting highly fluctuates, I need someone with more than an 18-55 zoom also, that will work well in lower light condition, and can be used sans flash at time. Currently using a Nikon d60 for most stuff I am shooting. Would like an 18-200 I think. Want it to be VR still and have auto focus built in for quick candid stuff where I don't have time to fuck with manual focus. 500.00 or less is what I had in mind but would go 700.00 to 1000.00. Looking to get something in the next month or so. Shooting ton of stuff right now as its Cma fest week. I really enjoy doing it. So what do you recommend for those conditions?
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if youre shooting magazine... you want to spend 1000... 500 wont cut it...
as for nikon, I cant help you... -
Nah I don't buy that you have to have a super high end lens to shoot mag quality stuff. I 'might' get something that expensive soon, but the stuff Im shooting they are already happy with. Mainly I want more flexibility on lower light situations, and more zoom capability so I can get in tighter to musicians further back on stage.
Anyone have this lens?
http://www.bhphotovideo.com/c/produc..._6G_ED_VR.htmlComment
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Well it must be a magazine that likes low lit candid shots and dosnt care about pixelation...
When shooting digital for magazines you at least need a great lens...
I dont buy that a magazine is happy with lesser quality images for printing...Comment
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plus, a 1000 lens isnt 'super high end'
its the second step in quality...Comment
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Remember we aren't talking full page spreads normally, most of the shots in the mag are maybe 5"x5" or so. Unless Im shooting something like for an interview where its a posed shot, wherein I have a d300 I can use, and grab some alien b's and prepared lighting, or shoot outside etc. I only take the d60 out for the club scene stuff where it could get dropped or something spilled on it etc. I just the build in flash even, and just dial the manual flash settings up or down depending on distance, and house lighting etc. I have another little trick I do too which is I cut the finger off a latex glove and put it over the built in flash to soften the light a bit more when the situation calls. More than likely going to add an external flash plus a light sphere by the end of this month, but it adds bulk to my setup, and with people bumping into you, and partying part of the night I like to keep things as compact as possible.Comment
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since when did you stop becoming talent for Sailor Boy Magazine and start photographing for them?Comment
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i shoot with this lens and give it 2 thumbs up. it is a plastic mount so if there's a lot of lens changing going on this might not be the lens for you. it is soft in the corners at 18mm, but that shouldn't matter to a good shooter.
af is a little slow in comparison to the pro nikon lenses.
overall it is a super nice lens imo.Comment
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Sigma 70-200 mm f : 2,8 II DG APO EX HSM Nikon
awesome lens never to be regretted - around $800, but the equiv Nikon is $2k+.
AF is lightening quick.
Only prob is, at f4 or less, autofocus isn't perfect, not bad at all, but not perfect. However, at those wide apertures, in manual focus mode it's awesome at f2.8 - perfect for low light conditions.Last edited by borked; 06-10-2009, 01:34 PM.
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All models are wrong, but some are useful. George E.P. Box. p202Comment
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105mm is quite a bit of an increase from my 55 so might be a good middle ground for now. Have you tried much with lower light no flash type shots?
Here are a couple quick shots from 2 nights ago.
A black and white of some hot chicks. One in the white kept coming up and grabbing my ass while I was shooting my stage shots LOL
No flash here, but spot lights were nice and soft yet bright.
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i don't have enough experience with a variety of lenses to compare how the lens does in low light. it is a f 3.5 so it certainly won't see in the dark but it's never let me down.
i find the sweet spot for this lens is 80-90mm f5.6
if you want a great flash that is very small, i recommend the sb-400. small and well-priced and a solid performerComment
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sorry, I don't agree - 3 foot prints and not pixelated? I had a D60 and a decent A3 photo printer and the prints were pixelated. I moved up to a D300 and invested in some semi-pro lenses and the diff in quality is just mind blowing. OK, maybe my D60's stock 18-55 suffered from front focus or something, but semi-pro lenses are well worth the investment.
And the camera - D300 produces very beautiful A3 photo prints. I couldn't say that about the D60.
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All models are wrong, but some are useful. George E.P. Box. p202Comment
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Were you shooting in jpeg or raw? The 18-55 lens is a solid lens for general photography, and you can work around it to still get some impressive shots, but its a starter lens we know that. I've popped on the 18-200mm vr lens from a d300 and it makes a huge difference no doubt. Also when you printed did you bump up the dpi to 300? or leave it at 72dpi?
Is this the lens you guys are referring to for the sigma?
http://www.bhphotovideo.com/c/produc...2_8_II_EX.htmlComment
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you need a Nikor 80-200 F2.8 lens. The 2.8 is the important part for low light.Comment
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ok i am not a fan of your other posts but perhaps it all comes back in good karma..
check out the 18-200 edVR lens, i hardly ever take it off my camera...
and btw, i dont know of any magazines NOT wanting ISO 160 or better, and the D60 wont quiet cut the mustard there.."Obscenity is whatever gives the Judge an erection." -- Author UnknownComment
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the af lenses will work in D60 but only in manual mode
you should get the af-s witch is more expensive
if you want to shoot in low light conditions without graining you should look for a more expensive camera with this ability.. i guess any 55-200mm af-s lens will do it for youComment
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Hit me up sometime on icq and chat with me. Most everyone that knows me personally knows Im pretty true blue and loyal as anyone can be. Ill check out that lens. If its due to political stuff, well I could give fuck all what someones politics are when it comes to business. I have loved everything photo I've seen you post over the years. You could be Obama and Kerry's secret offspring and I wouldn't care lol.
Most of my real life friends politics are polar opposites to mine, but really basing friendship or business relationships on someones politics is a terrible thing to do.
Ya honestly for candid shots I don't want to fuck with manual mode especially in a darker club. A quick AF I think is a must unless I want to be flipping lenses all night and risking getting dirt on my sensor.Comment
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[QUOTE=borked;15945462]Sigma 70-200 mm f : 2,8 II DG APO EX HSM Nikon
equiv Nikon is $2k+.
Only prob is, at f4 or less, autofocus isn't perfect, not bad at all, but not perfect./QUOTE]
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Ya that is seeming to be the consensus so far. I still get a lot of great shots just with the kit lens but I also lose alot due to movement in low light. A lot depends on the clubs lighting setup. I've had varied results just using the built in flash and dropping the flash power down, and even with the little latex glove finger I throw over to help soften the flashes light a bit. Not idea, but you have to work with what you have. Thanks for the recommendations Bm.
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Last edited by HomerSimpson; 06-10-2009, 05:32 PM.Make a bank with Chaturbate - the best selling webcam program
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you're better off going this way...
Adorama has the D90 for around $1150 with the kit lens.
get the D90 with the 18-105mm vr cost is $1150 then sell your D60 for around $650-$700. Then you have a better camera, better lens for around $600 for an upgrade.Comment
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Here is another pic from Monday.
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use 'rear curtain' flash. gonna pull the BG a bit and 'freeze' the action, hopefullyYa that is seeming to be the consensus so far. I still get a lot of great shots just with the kit lens but I also lose alot due to movement in low light. A lot depends on the clubs lighting setup. I've had varied results just using the built in flash and dropping the flash power down, and even with the little latex glove finger I throw over to help soften the flashes light a bit. Not idea, but you have to work with what you have. Thanks for the recommendations Bm.
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D60??? save your money for a full frame camera.
I got a D3 and just about every piece of glass out there. And moving from a D200 to a D3 full frame made the biggest difference in my low light quality. N series lenses really rock!!!
Good luck
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Ill more than likely do that at some point, but photography is more of a hobby to me for now, though I do have a paid mainstream gig doing it now. Its not a lot, but I enjoy it, and also writing articles for them, so published in a soon to be national magazine will be cool. Nothing of mine in this issue coming up, but I will in the next one. Ill upgrade as I go.Comment
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All right, here's the deal.
Your B&W shots are pretty good, but if you want to execute ultra sharp shots with good, beautiful bokeh, you need to go larger than all of these these variable aperture (3.5-5.6) zoom lenses which go only as large as 3.5, and when you zoom them, they get smaller like f/5.6.
The main problem is your D60, which as you know, does not autofocus on AF-D lenses and requires AF-S lenses. If you have a D300, why are you not shooting with it? I would recommend you to use that and get a 50mm f/1.8 for $125 and/or an 80-200 f/2.8 @ $950. If that's too much, the 50mm is dirty cheap, and shot on a D300, you can gain from the 50/1.8's low light capability. Plus you have 12.3mp, plenty of room to crop since your 50mm lenses don't zoom obviously.
I had the 18-200 and it was good as a consumer lens, but the distortion is very bad and for advanced work in low light conditions, it just doesn't cut it.
An excellent alternative is the 35-70 f/2.8, which is discontinued but can be had for about $300-400 used. Great quality and the reach to 70mm should be all you need for what you're doing. But honestly, the 50mm f/1.8 on the D300 is the way to go.I don't always drink beer, but when I do, I wish I was drinking wine instead.Comment
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Its only 3lbs so not a big deal really. Prob older than you think though hehe. Trying to read up more on the sigma lenses as far as reviews. So far majority are very good.Comment
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Late into the thread - but I shoot with an 18-200 nikkor VR lens on my d80.
Great all-purpose lens...love it.
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Take your camera into a shop and play around with the Sigma lens - get a full head shot of someone at 200mm at f5.6 iso 200 then zoom right in on the preview window on the eyes. Absolutely fantastic iris detail.
I absolutely love mine - like I said, the only gripe I have is if you repeat the above at f2.8 the detail in the iris is lost, but you only notice this when zooming right in - the overall picture isn't noticeable. However, YMMV and you may test one that doesn't front focus that tiny centimetre. It's so negligible on mine, that it isn't even worth sending back to Sigma for correction.
Weight wise, it is a bit of a monster, and the lens will cast a shadow using the built-in camera flash. However, if you're shooting at 1:250 or faster, you can hold it steady enough with the correct pose (elbows dug into the ribs) to not get camera shake.
here's a zoom on an eye of a monkey thingy taken at a zoo @70mm f10 at ISO 1250(!) taken through glass (you can see the window reflection)
exifdata:
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Profile Description ML : Camera RGB Profile Aperture : 10.0 Blue Balance : 1.1875 Image Size : 665x441 Lens ID : Sigma 70-200mm F2.8 EX APO DG Macro HSM II Lens : 70-200mm f/2.8 G Preview Image : (Binary data 21716 bytes, use -b option to extract) Red Balance : 1.664063 Scale Factor To 35 mm Equivalent: 1.5 Shutter Speed : 1/125 Create Date : 2009:02:27 13:53:28.22 Date/Time Original : 2009:02:27 13:53:28.22 Modify Date : 2009:06:11 09:30:49.22 Thumbnail Image : (Binary data 4584 bytes, use -b option to extract) Circle Of Confusion : 0.020 mm Depth Of Field : 0.09 m (1.02 - 1.10) Field Of View : 18.2 deg (0.34 m) Focal Length : 70.0 mm (35 mm equivalent: 105.0 mm) Hyperfocal Distance : 24.46 m Light Value : 10.0
Last edited by borked; 06-10-2009, 11:39 PM.
For coding work - hit me up on andy // borkedcoder // com
(consider figuring out the email as test #1)
All models are wrong, but some are useful. George E.P. Box. p202Comment
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The 18-200 VR is the main lens I use. Not perfect but with decent light I love it for the size and the price.Comment
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JustDave!!!! What up pimp? How's everything?
Was just a cost effective solution within his needs financially and technically.Last edited by Silver Sinema Parker; 06-11-2009, 09:04 AM.Comment
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How about a Tamron 28-70 f2.8 ? Great low light lens, like 3 years in a row lens of the year for that price range, $399 I thinkComment
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Boxer has some Tamron lenses I think, and with good results. Ill do a search on that one. The 70mm is a little short sited though. Looking for 100mm or better. Lot of times I can't get up on the stage to shoot, sometimes I can. Depends on where I am and who I know a lot of times. lolComment
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the problem with using anything other than nikon/nikkor is much slower AF action and it sounds like you need to be pretty quick to get the right shot.
i have the Tamron2.8f 28-70 (and it is super nice glass but slower to focus especially in low light..), also i have the nikon 2.8 70-200VR, the nikon 18-200VR and a few other..
also buying nikon means you get top notch service if you ever need to get the lens cleaned or serviced..
by upgrading from your d60 you also get better and faster AF.."Obscenity is whatever gives the Judge an erection." -- Author UnknownComment
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Ya agreed, I was very close to just getting the d90, but I knew I could easily get 75% of what I paid for the camera back if I sold it, and Ill probably upgrade to the d90 in not too long. Im a video guy, and photography is a new hobby for me. So most of what I am making shooting and writing for the magazine is going right back into new equipment, but doing it slow and as I need it.Comment
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Little update same lens and all, but wanted to share this pic lol. Camera is the ultimate ice breaker, and gotta love when they walk up to you and say "can you take our pic please?" Well... yes surely of course hehe. Bit of the Nashville trim to share.
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you need to get one of them really high output on camera flash (try quantum)
will expose underwear or none etc.. yes i know, damn perverted."Obscenity is whatever gives the Judge an erection." -- Author UnknownComment
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