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I seldom go much above 80iso when workin' with available light - instead I go with longer exposures (on tripod) with cable release.
Lately I've been finding it handy in the studio to wire the camera to a remote TV monitor when shooting in available light. Its easier to watch the monitor than the small lcd on the camera. Yeah, its a little cumbersome...but I find the pics are spot-on for exposure settings.
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