Quote:
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Originally Posted by DeanCapture
I haul my shit around to the locations...it's the only way for me to work. I rarely shoot with available light but I'd like to start doing more of it. I'm a little out of practice since I've been shooting with mostly studio lighting for the last few years. One of my mentors (J. Stephen Hicks) does some of the best available light glamour/erotic work that I've ever seen. He has a keen sense of light and can spot a beautiful available light situation a mile away. For me it's not that simple  |
(nodding)
That's what I enjoy most about old abandonments - the way light comes in from broken walls, holes in roofs, etc. But you're right...its something you have to stay in practice with. And I find I shoot a lot more frames with available light than in the studio just so I have safeties in case of motion blur, bad exposure settings and such.