Quote:
Originally Posted by Caligari
heres a question-
how do you think Inglorious Bitches would translate to a 35mm print for theatrical considering you shot it on that Sony cam. Would it take a serious drop in quality or remain about the same projected on the big screen?
I would think a 35mm print probably look pretty good with the Red system, but that is another animal...
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Even the bump to 35 from RED is so so, although everyone including I hope that will change with newest red
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Award Winning Producer / Director / Industry Consultant. Five of my Feature Films have been given top AVN / XBIZ / VENUS awards; How I Became A Sexual Slave 2016, L’Innocente 2014, Inglorious Bitches 2013, Ritual 2011 & Sexual Adventures of Little Red 2009