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Old 03-17-2008, 07:15 PM  
corvette
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allow me to paraphrase wiki:


Themes and style
Not only is No Country for Old Men a "doggedly faithful" adaptation of McCarthy's 2005 novel, it revisits themes Ethan and Joel Coen have used in Blood Simple and Fargo. The novel's motifs of chance, free-will, and predestination are familiar territory for the Coens, who presented similar threads and tapestries of "fate [and] circumstance" in those earlier works.[5][6] Numerous critics cited the importance of chance to both the novel and the film, focusing on Chigurh's fate-deciding coin flipping,[7] but noted that the nature of the film medium made it difficult to include the "self-reflective qualities of McCarthy?s novel."[8]

In The Village Voice, Scott Foundas writes that "Like McCarthy, the Coens are markedly less interested in who (if anyone) gets away with the loot than in the primal forces that urge the characters forward... In the end, everyone in No Country for Old Men is both hunter and hunted, members of some endangered species trying to forestall their extinction."[9] Roger Ebert writes that "the movie demonstrates how pitiful ordinary human feelings are in the face of implacable injustice."[10]

New York Times critic A.O. Scott points out that Chigurh, Moss, and Bell each "occupy the screen one at a time, almost never appearing in the frame together, even as their fates become ever more intimately entwined."[11]

Variety critic Todd McCarthy describes Chigurh's modus operandi:

? Death walks hand in hand with Chigurh wherever he goes, unless he decides otherwise ... if everything you've done in your life has led you to him, he may explain to his about-to-be victims, your time might just have come. 'You don't have to do this,' the innocent invariably insist to a man whose murderous code dictates otherwise. Occasionally, however, he will allow someone to decide his own fate by coin toss, notably in a tense early scene in an old filling station marbled with nervous humor.[12]
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